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  Som_hm_a16
Artist Attributed to Barker, Thomas (English painter and lithographer, 1769-1847)
Previous attributionsPreviously attributed to Stone, Henry (British painter, 1616-1653)
Title Portrait of an Elderly Gentleman
Date earliest possibly about 1816
Date latest1847
Materialoil on canvas
Measurements44.5 x 35.3 cm
Description This bust-length portrait of an elderly gentleman is painted in the style of the renowned Flemish artist Anthony van Dyck. The sitter's features bear some resemblance to Van Dyck's portrait of the royalist army officer Jacob, the First Lord Astley (1640, private collection) which was well known through reproductions such as an engraving published in 1816. In the first catalogue of Sir William Holburne's collection (1867), published during Holburne's lifetime, this portrait was attributed to the Bath artist Thomas Barker, with whom Holburne was acquainted. Barker painted many copies and pastiches in the style of famous old masters.
Subject portrait (man, gentleman)
CollectionHolburne Museum of Art, Bath
Current accession numberA16
Acquisition detailsBequeathed by Miss Mary Anne Barbara Holburne 1882.
ProvenanceSir Thomas William Holburne, by 1867-74; by descent to Mary Anne Barbara Holburne (1802-1882), 1874.
Principal publicationsCatalogue of the Pictures and Library, Engravings, Etchings and Miniatures Belonging to Sir Thomas William Holburne, Bart., Bath, 1867, cat. no. 153, p. 7, as by [Thomas] Barker after Van Dyck; Chaffers, W., Catalogue of the Holburne of Menstrie Art Museum Bath, London, 1887, cat. no. 1472, p. 73, as by Thomas Barker after Van Dyck; Moeckler, F., Holburne of Menstrie Art Museum, Bath, 1902, cat. no. 236, p. 8, as by Thomas Barker after Van Dyck; Catalogue, Pictures and Miniatures, I, 1927, cat. no. 131, p. 39, as by School of Van Dyck; The Holburne of Menstrie Museum, Catalogue, Pictures, I, Bath 1936, cat. no. 119, p. 41, as by School of Van Dyck; Wright, C. Old Master Paintings in Britain: An Index of Old Master Continental Paintings Executed before c. 1800 in Public Collections in the United Kingom, London, 1976, p. 57.
Notes

Fragment of old label on reverse, inscribed in pencil, mainly illegible: '... 3 /4 B ...'.

H. A. Buttery thought the work 'bad, ruined' and rejected the attribution to Thomas Barker, 1906.

Rights status© The Holburne Museum of Art, Bath
AuthorDr Susan Steer


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