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  Bolmg_2001_25_2
Artist Dutch School
Title A Burgomaster’s Wife
Date earliest probably about 1600
Date latestprobably about 1620
Materialoil on panel
Measurements96 x 68.5 cm (estimate)
Description This is a three-quarter length portrait of a woman dressed in 17th century costume, comprising a black dress with white lace collar, or ruff, and cuffs. The background is an interior wall, with a green curtain behind her on the right. Her right hand rests on a table, the left hand is down by her side, holding a short black rod, possibly a key. In the upper left corner is a crest consisting of a lozenge flanked by ribbons, with an ermine field and two gules bars. On her chest is a medallion in which a tiny image can be seen, possibly a miniature, or maybe a reflection of the artist.
Subject interior; portrait
CollectionBolton Museum and Archive Service
Current accession numberBOLMG:2001.25.2
Previous accession number(s)1902.2.11.HITW
Acquisition detailsPurchased from T. Bromley and Son, Fine Art Gallery, 32 Bradshawgate and 34 Fold Street, Bolton, 1902 (?).
ProvenancePossibly John Hall, Chorley New Road, Bolton, 1890.
Principal exhibitionsMere Hall Museum Opening Exhibition, Bolton, 1890-1891, cat. no. 54, as The Burgomaster’s wife by Dahl.
Notes

The painting is clearly a companion to BOLMG:2001.25.1; the two portraits are by the same hand, have the same background, identical iconography, and are mirror images in composition. Of special interest is the way in which the iconography contrasts the roles of man and wife. The burgomaster rests his left hand on the pommel of his sword, letting us know that he is fulfilling his duty as husband and protector. The burgomaster’s wife, on the other hand, holds a key in her right hand, showing us that the management of the household and its domestic affairs are her responsibility.

The painting may have been owned by a John Hall, Esq. In the catalogue for the opening exhibition of the Mere Hall Museum in 1890-91 we find: §No. 54 ‘The Burgomaster’s wife’ By Dahl. b. 1656 - d. 1743. Lent by John Hall, Esq., Chorley New Road.§ (Mere Hall Museum and Free Library Opening Exhibition. Catalogue of Paintings, Works from Public Galleries and From Private Collections., Bolton 1890). However, the attribution to Dahl is clearly wrong if this is the gallery painting, and difficult to see how it could be mistaken for a late 17th /early 18th century work. It is easy to see that these paintings could have passed into the Bromley dealership and thence to Hall i' th' Wood by 1902, but much harder to prove.

Details of costume, appropriate for a respectable, conservative, woman, help date the painting to about 1600-20. As to attribution, although the given title is intended to suggest Dutch origins and there are certainly similar portraits of Dutch nobles at this time, the detail of the armorials also follows English tradition, i.e. lozenge shield for a woman, the helmet indicating rank, so the sitters are equally likely to be British. Of the numerous Anglo-Dutch artists from this period, probably the most comparable in style would be either John de Critz the Elder, (about 1552-1642) or Paul Van Somer (1576-1621/2).

From the Hall I’ th’ Wood register: ‘Bromley’s’. It is easy to see that these paintings could have passed into the Bromley dealership and thence to Hall i' th' Wood by 1902, but much harder to prove.

Rights statusFrom the collections of Bolton Museum & Archive Service.  ©Bolton Council
AuthorMalcolm Barclay


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